Linda Holmes

Linda Holmes writes and edits NPR's entertainment and pop-culture blog, Monkey See. She has several elaborate theories involving pop culture and monkeys, all of which are available on request.

Holmes began her professional life as an attorney. In time, however, her affection for writing, popular culture and the online universe eclipsed her legal ambitions. She shoved her law degree in the back of the closet, gave its living-room space to DVD sets of The Wire and never looked back.

Holmes was a writer and editor at Television Without Pity, where she recapped several hundred hours of programming — including both High School Musical movies, for which she did not receive hazard pay. Since 2003, she has been a contributor to MSNBC.com, where she has written about books, movies, television and pop-culture miscellany.

Holmes' work has also appeared on Vulture (New York magazine's entertainment blog), in TV Guide and in many, many legal documents.

During our recent time with charming Bostonian librarian Margaret Willison, we managed to sit her down for a chat about audiobooks. We discovered that while I am a frequent listener to a variety of kinds of books (as I wrote about recently), Margaret uses them in a very different way that might appeal to some of you who like to revisit and reread your favorites.

This week's show finds us cracking open Judy Blume's new adult novel In The Unlikely Event (it's an adult novel as in a-novel-for-adults, not an adult novel as in "too sexy for polite company). Joined by our friend and librarian-in-chief Margaret Willison, we talk about the structure of the book, the character voices, Blume's particular brand of what Margaret calls "emotional immediacy," the balancing of period references in a book set largely in the early 1950s, and lots more.

Villains are staples of stories for kids. Making them bigger, meaner, madder, more impossible to defeat — that's how you build the ideas of fear and then, inevitably, of courage. A small person faces a giant, or a witch, or a wolf, or Jafar, or Cruella De Vil, or the Buy 'N' Large, and by watching that happen, you learn. You learn what it takes to beat the bad guy. You learn that you, too, can beat the bad guy. You learn not to lose heart and not to give up. You use something inside yourself to beat something outside yourself.

I'm just going to tell you right off the bat, you guys: we really liked Inside Out. This does not exactly make us outliers in the critical landscape, but we sit down this week with the great Kat Chow of NPR's Code Switch team to talk about the film. It's a thought-provoking story and visually inventive, so we'll spend some time on the various creative forces at work. At the same time, we ding its one weak scene that unfortunately shows up in a lot of the trailers and we debate who cried the most.

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Transcript

AUDIE CORNISH, HOST:

Audiobooks have traditionally been tricky to get right and even harder to make special. Very often, they're literally just books read aloud, to the best of the ability of a single, usually highly skilled reader. In fiction, you get readers who are asked to provide voices for however many characters the author invented.

You may have heard that Jurassic World made more than $500 million worldwide in its opening weekend. That's $500 million, 5-0-0. Its nearly $209 million weekend in the U.S. alone makes it the highest-grossing U.S. opening weekend ever. That's ever, e-ver.

So how's the movie? It's fine. Does it justify having had the biggest domestic box-office opening weekend of all time? That's a pretty tall order for a pretty medium-sized movie, creatively speaking.

HBO's Silicon Valley ends its second season Sunday night with a finale I have seen and will warn you is so tense that I actually skipped forward a little bit at one point. That's how suspenseful I found it. And remember: it's a comedy.

This week, we're lucky enough to welcome our pal Audie Cornish back to the panel for a discussion of Spy, the latest comedy (after The Heat and Bridesmaids) to team Melissa McCarthy with director Paul Feig. (If you're nostalgic, you can listen to our affectionate review of The Heat here. It's also the episode with a whole segment on The Price Is Right. Happy Friday!)

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