Heller McAlpin

Heller McAlpin is a New York-based critic who reviews books regularly for NPR.org, The Los Angeles Times, The Washington Post, The Christian Science Monitor, The San Francisco Chronicle and other publications.

Quirky doesn't begin to capture the wacky inventiveness of Valeria Luiselli's second novel. The Story of My Teeth is a playful, philosophical funhouse of a read that demonstrates that not only isn't experimental fiction dead, it needn't be deadly, either. Luiselli's elastic mind comfortably stretches to wrap itself around molars, Montaigne, fortune cookies and various theories of meaning.

When he's not playing neurotic, antisocial nerds in movies like The Social Network, Jesse Eisenberg channels his jittery talent into writing clever comic plays and stories that often feature neurotic, antisocial nerds and insecure or downright delusional teens. The wonder is the empathy he brings to these jerks, losers and sad sacks, both on the stage and the page.

New York Times reporter Stephanie Clifford's ambitious debut novel, Everybody Rise, about a young social climber desperately trying to claw her way to the top of New York's Old Money society, takes its title from the last lines of Stephen Sondheim's bitter toast of a song, "The Ladies Who Lunch." But its inspiration (like that of Sophie McManus' The Unfortunates, another much buzzed first novel this summer) springs from Edith Wharton's The House of Mirth.

My perennial quest for smart, fun summer reads landed me on Two Across, Jeff Bartsch's debut romantic comedy about a brainy couple whose on-again-off-again relationship begins at age 15, when they tie in the 1960 National Spelling Bee. During their recurrent off periods, they send hidden messages to each other in the clever crossword puzzles they compose for major newspapers.

Question: What do holiday shopping and staving off cognitive loss have in common?

Answer: Both are ordinarily earnest endeavors in which Patricia Marx has found unlikely sources of hilarity.

Here's one way to attract readers: Spell out your title in Scrabble tiles. It worked for Stefan Fatsis's Word Freak in 2001, though that's not all that worked for that wonderful book, which remains the best about the game of Scrabble and its obsessed competitors.

Some ideas are so clever it's a wonder no one has thought of them before. Case in point: Algerian writer Kamel Daoud's The Meursault Investigation, a response to Albert Camus' The Stranger, written from the point of view of the brother of the nameless Arab murdered by Camus' antihero Meursault.

Back when I was losing sleep over various scenarios that could befall my aging parents, a friend would try to calm me with assurances that at most one of those things would happen, so they weren't worth worrying about in advance.

Write brilliantly and readers will follow you anywhere — even into a swarm of hoverflies. That's one takeaway from The Fly Trap, a charming, off-the-beaten track, humorously self-deprecating memoir by Fredrik Sjöberg, a biologist who muses and amuses about his baffling passion for hoverflies. "No sensible person is interested in flies, or anyway, no woman," he writes. His book may change that: It is a paean to some of the tiniest wonders of the natural world, but even more to the benefits of intense focus.

Lucas Mann's genre-bending first book, Class A: Baseball in the Middle of Everywhere, was about an Iowa farm team, a dying Midwestern factory town, and his own anxieties about success, and it heralded an impressive new talent in narrative nonfiction. Mann's second book, Lord Fear, reaffirms that talent. A memoir about his much older half-brother, Josh, who died of a heroin overdose when Mann was 13, it's a less alluring, more difficult book — but clearly one that Mann needed to write.